Also, the supporting cast leaves something to be desired. Caballe is one of my favorite singers and I thought it would be interesting to hear her in this role as it’s rarely performed by a dramatic soprano. Shopbop Designer Fashion Brands. Such an alteration would not have been necessary with a higher voiced mezzo, or even better with the soprano of Bellini’s original concept. Give Album or Song as Gift. Customers Also Bought These Albums. To that the famed mezzo Pauline Viardot replied, “Yes, you are right!

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Also, while Callas colors and shapes the aria “Casta diva” in a most elegant manner, not only are the highest notes a bit effortful, but she fails to make a diminuendo on the final note as she often did being possibly afraid that it would wobble out of control. Amazon Restaurants Food delivery from local restaurants. Record Company Required Metadata: Such an alteration would not have been necessary with a higher voiced mezzo, or even better with the soprano of Bellini’s original concept. You have exceeded the maximum number of MP3 items in your MP3 cart.

I Puritani, Act 3: Please try again later.

Regarding Callas, as implied a number of vocal problems are unfortunately on display. As an example Callas usually produced an ethereal effect at the words “il sacro vischio io mieto” that conclude Norma’s opening recitative.

The high C’s are attacked thrillingly or tenderly as is appropriate and the first act is capped with a m;3 and powerful high D.

Maria Callas · Philharmonia Orchestra, Tullio Serafin

This is a more than a bit unfair to the earlier recording which actually does capture Callas in full bloom vocally and virtually as she performed the part at that point in time. The recent issue of a recording of Norma by Cecilia Bartoli, based on the new critical edition of the score and performed with period instruments, invariably invited comparison with other recordings of this work.


Audio CD Verified Purchase. Surely this is what Bellini intended though the effect is rarely pulled off with any degree of success Plus, given the improved sound quality which gives more presence to all the voices and brings a bit of additional clarity to the orchestra I have never really enjoyed the earlier mono version as I have in its new mastering. It was noted that toward the end of her career that Giuditta Pasta was quite resourceful in her ability to compensate for her vocal decline by emphasizing the dramatic possibilities of her roles.

Bellini: I puritani (1953 – Serafin) – Callas Remastered

Would have been perfect if the libretto was avalable as well! Corelli brings ringing and virile tone to his Pollione. Also there is one place where I always heard a bit of pitch discrepancy at the end of the duet that concludes the first scene of act one in the stereo version and that has been corrected. Puccini – Tosca Di Franco Corelli ssrafin magnificently.

Related albums at Maria Callas / Tullio Serafin – Donizetti: Lucia di Lammermoor:

Likewise, if one wants to experience the live La Scala performance in the best possible sound the Divina Records version available at www. Get fast, free shipping with Amazon Prime. The greatest improvements involve the tenor and bass Amazon Advertising Find, attract, and engage customers. Indeed, not only are there outbursts of spontaneous applause, but audible gasps of admiration as well.


Tullio Serafin (conductor) (page 11 of 28) | Presto Classical

ComiXology Thousands of Digital Comics. Both have a presence that was missing in earlier CD incarnations.

mp3 serafin

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Add to Wish List. Shopbop Designer Fashion Brands. Norma – Serafin – Callas Remastered. Give Album or Song as Gift.

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One of the reasons for the stereo remake, aside form capturing Callas in the newer up to date sound technology, was to provide a more suitable supporting cast. Tenors who have since essayed the role of Arturo, such as Kunde, Brownlee and Florez are certainly excellent but rarely partnered by sopranos of a quality similar to Callas, Sutherland or Freni. The same holds true for the section of the last act at the words, “Adalgisa fia punita, nelle fiamme perir√†” Adalgisa is to be punished, in the flames she serafln perish where the trills sound as menacing as possible while at the same time are finely articulated.

Qui la voce sua soave mi chiamava” Elvira, Giorgio, Riccardo.

mp3 serafin

Ludwig sounds wonderfully Italianate as Adalgisa. Add gift card or promotion code.